Nikolay
Klimov

UAZ Buhanka

Blender · Substance Painter

Pipeline

Block-out → high-poly → bake → PBR textures → cinematic render pass

Craft

Interior and exterior both hold up at close range. Surface wear built in Substance — dirt, chipped paint, rust reads at any distance.

Deliverable

Game-ready vehicle asset with cinematic presentation and a 7-angle render pass.

“I wanted to show the full pipeline from block-out to final presentation. The rust, dirt, and chipped paint were authored by hand so the asset stays readable in close-up and from a distance.”

Geometric Sword

Blender · Substance Painter

Pipeline

High-poly sculpt → retopo → bake → PBR authoring → studio render

Craft

Three distinct material zones — aged steel blade, oxidised bronze guard, wrapped leather grip. Each reads at macro and close-up.

Deliverable

Hero prop built to survive close-up inspection. Cinematic lighting showcases surface complexity.

“I really liked Geoffrey Amesse's stunning concept art. It made me want to create a 3D model, rotate it, and test my skills.”

Pipeline

Concept study → high-poly model → texture pass → look development → cinematic presentation

Craft

Highpoly model based on Denis Zhbankov's Aztec Armor concept, with layered ornamental forms and strong silhouette readability.

Deliverable

Cinematic armor presentation with still renders and two video passes for lighting, surface detail, and atmosphere.

“Highpoly model based on Denis Zhbankov's concept of Aztec Armor. I focused on preserving the ceremonial silhouette, dense ornament, and material weight from the original artwork while making the model work as a cinematic 3D presentation.”